This song is an ode to the little overachiever inside all of us, about how easy it is to get stuck in the loop of “becoming” something or someone, instead of enjoying the old impossible “being” which the moment so famously advertises.
As a child of the 90’s lead singer Louis looks back: “Growing up, I remember being asked in school by grown-ups about what the plans for my future were, what did I want to become? When the obvious answer of a 12-year-old kid was a professional football player, I was told that this was not a serious answer, that I had to think about the bigger picture.”
‘Stop Trying’ is a commentary on the systems in which we place our lives. Is it worth fitting into or should we redirect our effort towards changing the framework first?
Together we grieve, on Benedict October’s heart-wrenching alternative pop ballad ‘Beautiful Way To Die’.
‘Beautiful Way To Die’ is best described as the turning point on Benedict October’s new album ‘And then the ocean’. “It was written in the week my father died. The song describes the scene and mood in that week. Autumn 2020, COVID-19, a newly built house, a family and a man who wasn’t ready to die yet.”
“My father always had this dream to build his own house. When he was 68 he was finally given the opportunity to do so. He was already a little sick at that time. After undergoing heart surgery in January he was slowly recovering from it that spring. Or at least that was the plan. At the same time he was working on his dream of a new house. One where he and his loving wife could live for at least another 10 years with a garden with flowers and a big table for family dinners with grandchildren running through the garden.”
“In the year the house was built he got more and more sick. One day I was working in the studio on new music when my mom called me to tell me dad had been hospitalised. A month going back and forth between home and the hospital followed. He didn’t want to give up, and got a little cranky. Who wouldn’t? As long as he was fighting, we were fighting… But what can you do?”
“After a month in the hospital he wanted to go home. He wanted to go to the house he built and die in peace at a place where he felt safe. It took less than 24 hours before he passed away. My mom, sister and I were sitting around the bed holding his hands. It was 3.30am when he shared his last breath with us, in the living room of his own built house. At that moment I saw one of the most beautiful things I have ever seen. As if someone pulled away some grey thin overlay sheet from all the way down to his toes, all the way to over his head. It was as tragic as it was beautiful. It was a beautiful way to die.”
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‘AY’ opens with ‘Don’t Stop With Me’, which addresses the challenge of moving forward and not getting trapped in memories of a past love. It reflects one the importance of progressing, even when it’s difficult, under a psychedelic and aesthetically languid sound. ‘No Longer Friends’ was inspired by the painful reality of losing friends as we age, the song captures the transition from a close relationship to becoming strangers again. The cheerful air of pop guitars masterfully contrasts with the rawness of the song’s narrative.
An anthem to individuality is single ‘OBEY’ which comes with a captivating video. The single questions traditional life and encourages challenging social norms, celebrating the courage to be different, under a calm but forward rhythm and immersive soundscapes. ‘This Morning’ deals with the daily struggle of facing routine when going through a period of sadness, highlighting how obligations can feel overwhelming, through a curious invitation to dance and embracing lament.
A cheerful and simple tribute to football and its chants is ‘¡OHOH!’ capturing the energy and passion of the sport! ‘Lento’ explored the band’s personal experiences with anxiety during the pandemic, describing how everything seems to move more slowly in those moments of crisis, following the line of lo-fi guitars and danceable yet melancholic rhythms.
On ‘Quiero Colarme’ the band talks about the difficulty of romantically connecting, reflecting the frustration of wanting love but being unable to fully experience it, a song that was created in collaboration with Salares. ‘Tanto Tiempo’ represents tenacity and perseverance, focusing on the importance of not giving up, despite repeated rejections and obstacles being in your way. The closing statement of the album comes in the form of ‘wait!’, reflecting on nostalgia and the memory of a past love, thematically linked to the opening song but from a more melancholic perspective. And with that, underthepropaganda comes full circle and have created a concept album standing out from the crowd by sounding honest, passionate, and timeless!
The music and lyrics on ‘AY!’ where created by underthepropaganda, with contributions from Sofía Pilar. The album was primarily produced by the band with Cristobal Cornejo, with the participation of Nicolás Vargas. ‘AY!’ was recorded in various studios and locations, with mixing by Cristobal Cornejo and mastering by Francisco Holzmann. With collaborations from various artists on instruments, choruses, and lead vocals. Album art was created by Javiera Leal and Matías Quintanilla, with promotional photographs by Maite Carrasco.
Berlin-based, Dutch genre-bending alternative pop artist Benedict October is back showcasing another side of his musical abilities on his brand new single ‘Lovestruck’. On ’Lovestruck’ Benedict October paints such a vivid picture that it makes us feel like we are on the dancefloor his mother entered when his father first saw her, while he was sitting at the bar with his friends.
The single is taken from his upcoming album. ‘And then the ocean’ is Benedict October’s second LP, a stubborn and daring album different to grasp at first. He moved from Amsterdam to Berlin and has done his utmost to create a new and, above all, unique sound. And it’s worked. It is hard to pinpoint exactly who inspired ‘And then the ocean’, its subjects are more personal than ever, even more so then what Benedict initially had in mind. The death of his father has made a hefty impact on the artist as well as the album, resulting in bouts of big and theatrical sounds and songs. At their core, however, they remain small and vulnerable pop songs that are full of hooks and mesmerising choruses.
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