Category Archives: Blog

Review: On Point Conference at The Georgian Theatre, Stockton

Tees Music Alliance and The Georgian Theatre collaborated on another inspiring music conference. On Point Conference took place on the last Friday of January and inspired me once again as well as connected me to those that inspire me within the northern music industry. The term ‘conference’ might sound intimidating but with a bunch of fantastic professionals and official wingman David Saunders, there’s nothing to be intimidated by.

On the panel about Dual Dynamism several northern industry professionals spoke, Supercat PR’s Matty talked about how it’s important for artists to utilise all social media platforms and to support those that support you in relation to PR specifically. “There’s no right or wrong way, focus on what excites you as a musician.” Radio DJ Shell added to that; “Have a strategy and a plan, block out periods of time for content creation and schedule posts, use the power of a mailing list, and be your authentic self on and offline.” Head of EMI North Scott Lewis highlighted an individual and different approach, “Take a different approach, support each other, and stay true to yourself.” No matter what your social media reach, just having a following most often doesn’t pay the bills, for performing artists live performances, merchandise, and syncs are where the money’s at. Scott continued, “Build a community around you and utilise your friends and family to help you with for example design, photo- and videography. Lean on the fear of missing out and make sure that those who pay for a ticket get a show they won’t soon forget. Make your gigs a social event, an event people want to be at.”

Wipe Out Publishing Marketing Manager Pippa Morgan mentioned the usage of a platform called Archive which pulls footage from social media, as well as a tool to automate direct messages sent to fans. To that, Matty added the data we can pull from streaming platforms, “to have an idea where your fans are based, and your most popular platform will give you an idea of the demographic that enjoys your music and art.” The consensus of this panel came down to how plans can give you a focus, and help you to look back on what you’ve already achieved, making sure you’re not drowning in big hopes and dreams that feel unattainable. On plans, Matty added that they shouldn’t feel like something that could not possibly move or change, but that they give you direction and help you make the most out of for example a new release. “Make sure to have more than one single recorded, so that you’re not stopping and starting continuously. Play as many shows and supports so that you’ll be rehearsed and ready when opportunities come in.”

On the next panel subjects include maintaining momentum, gaining financial stability and taking care of ones well being. A new organisation in the form of BAPAM is introduced to me, next to manager and sync specialist Chelsea Wood, PRS Foundation’s Lloyd Francis, and local artist Nadedja. Nadedja is a great example of an artist who’s been open about managing a work-life-social media balance, “I do what makes me feel good, and focus on a clear goal while trying not to compare myself to others. I choose opportunities that make sense for me and my career.” Chelsea makes sure to know her artists on a personal level when working as an artist manager, “the rat race never stops, so it’s important to zoom out and take time off, even though that might make you miss out on opportunities.” Dan added to that that people, and artists in particular, should act before things get to their worst, if you’re unwell, act, don’t simply push through, because the problem will only get worse.

On maintaining financial stability a common theme was to diversify and multiply income streams, options you have as an artist are to sell merchandise, this could be print on demand to minimise costs, and look at sync opportunities. Chelsea mentioned; “Don’t rely on funding, and think about getting a music lawyer.” Some music lawyers would be happy to work pro bono, and they are well connected within the industry which gives you the opportunity to extend your network. On collaborating with other professionals, audience-member Helen mentioned; “work with people you like and make sure that there is a need for what you’d like to do.” Dan added; “Communicate openly and set boundaries when you’re collaborating. To protect your mental and physical health, reach out to organisations such as Music Minds Matter, and make sure to stretch and warm up before a gig.” To add a last note on maintaining financial stability, Chelsea mentioned to not be afraid of change and to do what works for you as an artist, Lloyd added that PRS supports “risky pivots”, and Nadedja highlighted that not everything has to be for you, and that you have to do what feels comfortable and at the same time excites you.

Conferences might feel overwhelming, but when you take notes, be present, and introduce yourself to new connections, they can make a great deal of difference within your musical, or creative career. On Point Conference, organised by Tees Music Alliance, has always been a favourite, not just because it’s local, but also because of its caliber of speakers. With people that have just graduated, entered the scene, to those having worked within the creative industries for years, they all offer their own experience and perspective, and it’s always exciting and inspiring for me to connect with those that are like-minded and just as passionate as me about working in music.

A Day in the Life of a Freelance Stage Manager

Recently I reached out to Fever UK responding to a call out for freelance Stage Managers, and this week they got back to me with a last minute job in Dublin to which I simply couldn’t say no. Their touring production We Call It Ballet needed someone to take care of cast, crew, and intricate costumes, and with January being a slow month my calendar had the exact amount of time and space for such a job.

I flew out to Dublin on Wednesday, arriving at a nearly empty Newcastle Airport, went through without a hitch and arrived in Dublin in the early evening. Despite the city having already been covered in the dark, luckily there were still plenty of decorative lights lighting up its streets. As I’ve visited the city a few times before I already knew the areas I wanted to revisit, I enjoyed a slow evening stroll before an early night. My impeccable travel planning skills saw my hostel based a two minute walk from the venue the next day, so after a good night’s sleep I found a local café for my morning latte before heading to the venue. The O’Reilly Theatre is based inside the Belvedere College which doesn’t look as impressive from the outside as it looks on the inside. Not too large, not too small, the theatre looks neat and modern with a spacious stage.

After we had loaded all tech, gear, costumes and props, all teams went full steam ahead, the dancers arrived early, fitted their costumes, we sorted some last minute technical issues such as the replacing of batteries… And started show number 1 right on time! We Call It Ballet combines classical ballet with modern technology to create a stunning dance and light show, and it was a true privilege working with the incredible dancers and crew and experiencing the show twice from the wings.

Without major glitches we got through both shows, after which it was time to return the theatre to its original state. I then returned to my accommodation to comedown from what was a tiring but exciting day of work! Interested in experiencing We Call It Ballet yourself? You can still catch the show in cities all over the world, find your city here!

Reviews on Jacob D Edward

“Through thought-provoking images and emotions, this beautifully written exploration soars with some of the most poetic lines possible. With nods towards the inevitability of death and both the fears and comfort that come with accepting it, there’s so much depth to behold. The slow acoustic guitar plucks gently push things along akin to life itself, a little groove behind their intermittent strings while Jacob’s soaring rich vocals captivate front and centre. With a little Frank Sinatra reminiscence, it’s hard to turn this new elaborate single off.” – Review on Existential Magazine

“The manufacturing is minimalist yet impactful, with ambient layers that underscore the uncooked emotional weight of Edward’s performance. The track’s pacing mirrors the journey it describes, ebbing and flowing just like the chapters of a unique.” – Review on Kindline Magazine

“Folk songwriter Jacob D. Edward, hailing from The Netherlands, showcases his skill with acoustics on his latest single ‘Musings’. As a lyrically rich melody, the deeper meaning is a fascinating one to follow, highlighting the concept of a ‘secret love’ and underlining feelings of envy and frustration.” – Review on LaMusique

“Jacob D. Edward’s latest single, ‘Musings’, is a great folk track that delves into the complexities of hidden love and unspoken emotions. With bluesy guitar modulations and raw, vulnerable lyrics, the song invites listeners into a world of secret desires and unexpressed feelings.” – Review on NottsRocks

“Opting for unnatural harmonics in the intro, Jacob proves that sometimes less is more. With just his guitar, haunting backing vocals, and deep voice, he crafts a reflective, yearning atmosphere—capturing what he describes as “melancholia with a smile.”” – Review on Right Chord Music

Behind the music: Jacob D. Edward on ‘Musings’

‘Musings’ is Jacob D. Edward’s song about hidden desire. It is about the miscommunication that can occur when feelings are not expressed. ‘Musings’ is the sound to the frustration, envy.

On ‘Musings’, Jacob D. Edward adds: “The focus on the song is how the instrumentality connects to the lyrical meaning. The song is about hidden romance. Secret loves comes with a variety of emotions, and this song envelops them all.” This song is about the romantic feelings that Jacob D. Edward harbours for his backup singer. “Because the song is about my singer, I felt completely naked while recording it. I recorded the album with her as well and I knew she is going to hear it for what it is, which scares the crap out of me. The song is both literal and symbolic. Throughout I paint metaphors that explain to the listener how I feel about my backup singer and about how our relationship works. When I sing ‘As she is struggling to dance on her wire’ I made a mistake while singing and we decided to keep it into the recording. It felt a bit daunting to put out something that is not entirely polished.”

Reviews on Harrison Rimmer’s ‘Cold’

“Bringing back more of that bold and anthemic indie-rock energy he is known for, ‘Cold’ makes for a stellar return to form for him. With its bright and shimmering hooks layered throughout, he is certainly looking to get us up and out of our seats with this one.” – Review on FLEX

“Harrison Rimmer’s new single, Cold, is a powerful mix of rock energy and raw honesty, showing the artist’s journey through personal challenges.” – Review on Rock Era Mag

“Lyrically it dwells on the work required to get better mentally and was written partly after Harrison had his first panic attack. Yet, it’s also a track that you can dance to and draws from the likes of Springsteen and Frank Turner. Its tempo is relentless and its acoustic riffs lively. Harrison really goes for it with his expressive vocals, particularly during a singalong chorus.” – Review on York Calling

Behind the music: Harrison Rimmer on ‘Cold’

Harrison Rimmer is following up the release of his last single ‘Tough Love’ with new single ‘Cold’. The single is taken from his upcoming sophomore album ‘Cheaper Than Therapy’. This song is raw, angsty, and has teeth. Musically it draws inspiration from the likes of Bruce Springsteen, Frank Turner and City & Colour, a musical pallet many Harrison Rimmer fans have grown to know as his bread and  butter, but the difference this time around is in the lyrics, it’s a style some Harrison Rimmer fans haven’t heard for a while.

Harrison’s mission with ‘Cheaper Than Therapy’ has been to have the music be fun and energetic, to be the listener’s escape, but the lyrics to be the crack in the door with them being raw and honest. ‘Cold’ displays this perfectly. Harrison says, “If ‘Tough Love’ was the rallying cry, ‘Cold’ is what happens when you’re in the thick of doing the work. I used to call this my Frankenstein’s Monster. Some of the lyrics were written after my first panic attack and some were written later during a time in my life when I despised myself and the man I was becoming. So I pulled the mirror up and began to start putting the work in. I started to plot and move on with my life and to be more true and authentic to who I am, no matter how uncomfortable it made me. I feel like I’ve captured that moment in ‘Cold’.”

Musically it’s fun and punchy, hell you can sing and dance to it if you wanted, but lyrically, lyrically is where Harrison really wanted to get listeners. “Did those words make me uncomfortable? Absolutely, but in writing them I set myself free. I got stuck into conversations with my friends, family and started therapy, and even exercising regularly. Those factors became driving forces for not only this song and album, but for myself going forwards.”

Reviews on Bakersongs’ ‘Turn a Blind Eye’

“Frontman Ruud Bakker’s distinctive voice, accompanied by his skilful guitar work, delivers a contemplative track that resonates deeply.” – Review on Little Garden

“Moving the spotlight towards the music, the music has this smooth, melodic flow, almost like a conversation, not just in the vocals but with the instruments too.” – Review on Melodymine

“An elegant, classic take on Americana and alt-country infused by traces of European Folk, ‘Turn a Blind Eye’ signals Bakersongs’ impressive and meaningful latest effort. Embarking on playful yet vivid storytelling, the Dutch project explores the difficulty a lot of us have when dealing with negative news, day after day.” – Review on Mesmerized

Behind the music: Bakersongs on ‘Turn a Blind Eye’

The announcement of Bakersongs new full-length release received a lot of positive response from Americana journalists in the Netherlands. One even called him the perfect combination of Ryan Adams and Paul McCartney. With the second single from the record, ‘Turn a Blind Eye’, Bakersongs shows such compliments are well-deserved.

On ‘Turn a Blind Eye’, singer Ruud said: “For ‘Turn a Blind Eye’ I was musically inspired by the lethargic feel of The Band. The chorus is of course meant ironically, in regards to everything that is going on in the world. It can also be interpreted in a way that gives you a bit more peace with looking the other way and not to concern yourself too much with the overwhelming amount of news that is shared with us daily.”

The music of Bakersongs is characterized by smart, creative approaches and excellent, crafted musicianship. In terms of influences, think of American Folk and Americana artists such as The Band, James Taylor and The Milk Carton Kids, but influences of The Beatles, and Damien Rice are also undeniable.

Curating Sofar Sounds

When I’m asked what it is I do, I usually simply answer “I work in music and events”, as that is a safe way of saying “a shed load of different jobs”. One of my favourite jobs, however, is one that doesn’t take up much time but always delivers in pure magic. Curating Sofar Sounds Newcastle’s monthly shows is the most gratifying volunteer role I’ve ever fulfilled. There’s a wonderful team of volunteers supporting myself and co-city leader Jay on the evening s of our events by being on the door, checking attendance, liaising with artists, helping on sound, and introducing our artists.

This week we headed to Gateshead’s co-working and independent studio space Orbis Community for another sold out evening. One of the owners of the business, JP, brought his enthusiastic self and made us feel right at home. I had met JP through one of our incredible Sofar Sounds volunteers, which is how we got the space for our event. With one of our initially confirmed artists cancelling his performance on the morning of our show, we had to find a replacement very quickly and found that in Teesside-based singer songwriter J.W. Darwin. He performed a great set of soft but exciting pop tracks, with a good amount of stage chatter in-between songs.

Next up was York/ Newcastle-based singer songwriter Jeremy M who’d sent his music through us and who we got captivated by. His softly spoken voice combined with a warm guitar sound made for a fantastic live experience, a bit more experience and stage presence and we’ve got a star in the making. Last up were Leeds-based outfit VICTORS who performed in acoustic trio form. With influences taken from Jungle and jangly pop outfits they created a very exciting and powerful performance that left us all softly swaying until the very end.

The Sofar Sounds audience is like no other; they sit and listen, interact, and appreciate. They have sold out our shows for the past 24 months, and keep showing up, either we’re doing something well, or they’re just too kind for this world. I think it’s a combination of both. It’s not always easy finding the right space for our events, as we look for the unfamiliar, the slightly odd; hairdressers, cafes at night, cinemas, cocktail bars, wherever we can fit our sound system and audience! Though not always easy, incredibly fun, it’s a task I do with pleasure, as well as finding the right artists for our line-ups, and when all’s been found, it’s meeting our wonderful audience. Every single month, Sofar Sounds is what I look forward to!

We need your art

Music and politics are intrinsically entwined. Making music is an act of revolution. Using sounds and lyrics to share your thoughts, your feelings, and your perspectives on the world is a way of inspiring, mobilising others. Artists shouldn’t be afraid and fear what is thought of them, or to be disliked. Music and art should make people think and feel, be that about love, loss, or politics.

The world is on fire, she is burning because of us. We should be angry and up in arms to take back the reigns and show them how to lead compassionately. Our world leaders, they depend on us. Our multinationals, they need our hard-earned money to survive. When you decide to spend differently, their pockets will eventually start to empty. I have written before about part-time punks, and this is an extension of that point of view. What we need is more full-time punks, those truly living and breathing their music, their art. We suffer for our art and passions, because they are what makes us human.

Sadly I recently spoke to a well-known Dutch music journalist who found that artists shouldn’t bring their live show to a stand still to talk about politics. I was rather surprised to hear this from someone who is a fan of bands such as IDLES and Fontaines D.C., very much political acts. Artists have a stage, a platform, to share their views and to educate those that would not have been educated if it wasn’t for their favourite artists, a song they liked, a sound they were able to relax to. Artists, musicians, they decide to share their views, in their lyrics, their ethos, and on their stage. Frankly, I don’t think that anyone has anything to say about what an artist decides to do on stage as it is their show, their programme.

I am a fan of the bands I listen to and enjoy because of what they stand for. Their music, and their views are undeniably connected, and I don’t think they should be seen as separate. It is a privilege to be able to say that you would rather not hear about war, ethnic cleansing, and death. Most importantly, it is a privilege to be able to express yourself artistically, to share your thoughts and emotions into a language we all speak; music. We need your music, we need your thoughts, we need your art.