Behind the music: Tim Gambles on ‘Story Told Wrong’

‘Story Told Wrong’ came out on the 7th of August and has gone through a real transformation. The track started out as a tongue-in-cheek EDM experiment, but once Gambles teamed up with a fellow local songwriter, they realised the potential of its emotional core. Tim; “We stripped it back, reworked the structure, and then brought it to the band, and it naturally evolved into something way more ‘me’; a moody and melodic blend of pop and alt rock. It’s a track about miscommunication, hindsight, and the way stories get twisted, whether in relationships or in your own memory.”

Through heavy riffs, warm basslines, and a ridiculously catchy chorus, Gambles conveys the above message and at the same time re-introduces himself to the UK music scene, who’re in for a real treat. “‘Story Told Wrong’ is a track that grew up fast,” he says. “And I think it’s ready to speak for itself.”

EP: Messy Eater – Southern Fried

PR Results for ‘Southern Fried’

Radio

El Rocanrosaurio • Leo Swiss Radio • Noesfm • Planete Indie • Rádio Armazém • Sword Radio UK • The Sound Lab

Reviews

Cheers To The Vikings • Dead Good Music Blog • FLEX • GRUNGECAKE • Inspotmusic • Music Is To Blame • MUSIC MEDIA • Purple Melon Music • Right Chord Music • Rock Era Magazine • Soulwavez • SubmitHub Electronica / Breaks Chart • TECO APPLE • Unrecorded • York Calling • Zillions Magazine

Playlists

Apollo’s Rock Galaxies • Apricot Magazine • Beat Waves • Best Of Playlists • Biographyweb • Bravo Revista • Dizzy Boy • EDM STATION • End Sessions • EXTRAVAROCK • FVMusicBlog • Indie Study • INFO MUSIC • Lost In The Manor • Melody Lens • Music On The Rox • Musik Galaxie • Mystic Juice • Nine X • No Transmission • Os Garotos de Liverpool • Pitch Perfect • Pulsa Nova Música • RGM • RGMS Radio • SONO Music Group • The Best Rock • The Big Takeover • The Indie Grid • The Musical Road • The Other Side Reviews • True Heat • We Write About Music • World Of Music • Yokai Circle

Website • Spotify • Instagram • TikTok

Stage Managing The Conjuring 2025 at Pealie’s Barn

I don’t often get this personal on here, but today I have to. It’s Monday afternoon and I have just come back from my first festival weekend of the summer. I feel exhilarated, emotional, loved, appreciated, and a little tired. This year was my second of joining the team at The Conjuring and there’s not enough big words to describe the feelings it brings.

The heart that is put into these three days of live music is absolutely incredible, Jack, who I met through his spoken word, brings all he’s got to these days, as well as a community he has built over the years and that community is like no other I’ve come across. This gathering of stunning souls welcomed me, a stranger, into their inner circle and made me feel like part of the family.

Together with Dave and Sally and a bunch of brilliant others I managed the stage at the festival on Friday, Saturday, and Sunday, at a venue that made the entire experience even more incredible. I hadn’t heard of Pealie’s Barn before Jack mentioned it to me, and after he did it kept popping up on my social media timelines as friends and musicians were all of a sudden gracing line-ups at the venue. I instantly fell in love with the place, the parlour, the courtyard, the stage, the barn, every nook and cranny of it, and most of all; the people running it. I live and feel fully, everything that passes the revue, it all gets my full attention, so when I meet people that feel like sunshine on my skin, they will get my full attention too. They took care of the sound, manned the bar, baked pizzas, made coffee and breakfast, cleaned, organised and made sure the place was secure.

When organising events, working with a venue is always easier than against them, and the same goes for promoters, Pealie’s Barn got that. The team did everything within their power to accommodate all of those that entered the gates throughout the weekend and helped make the event what it ended up to be; incredible. Now here comes the part we don’t often talk about, something I’ve tried to speak about at a previous job, and got ridiculed for; the post-festival transitional depression.

For three days – in this case – time ran differently, the communal focus had nothing to with the day-to-day, and I surrounded myself with like-minded sunshine souls that all had one thing in common; their love for live music and the goal to use it as an act of revolution. Once I returned to my laptop to check in on emails, PR-campaigns, upcoming tours and life admin, I crashed. The sounds and smells of the festival site had gone, no more breakfast on a barn with a coffee and a book, no more sleeping in the barn, no more exciting buzz from the crowd, fire dancers in the evening, and jokes with the security. The sounds and smells had evaporated and had left me a little empty.

Now I will be back on a festival site again tomorrow, but no festival site is the same, and they all leave me with an emotional hangover and that bit of heartache for the new friends I’ve met who I wish I would see more than once a year. It’s not easy, but a friend of mine recently shared these wise words with me; “Life is a never-ending drama, that’s what comes hand in hand with knowing so many folk and being close to them, but I wouldn’t change it for the world”, and I couldn’t agree more. Although I know that I’ll be fine, and distracted, again soon, don’t underestimate this emotional struggle, and know that it’s not just you who deals with it, I’ve been told we all do. With the enormous highs, come painful lows, but the highs make it all worth it or I would’ve stopped working in events long time ago.

Stage Managing at Marrapalooza 2025

Last weekend I returned to the role of Stage Manager at Marrapalooza, an incredible grassroots multi-venue music festival run by David at Portions For Foxes. I was stationed at The Old Coal Yard where, in my personal opinion, the line-up of artists was best.

The Old Coal Yard is a great live music venue with a bar, space for darts, pool, and table football, and with a big stage and spacious dance floor made for the perfect backdrop for Marrapalooza! The day kicked off smoothly with fantastic local rock outfit Wild Spelks, man-with-guitar Withered Hand mesmerised with soft songs, Melanie Baker brought her story telling alt rock tracks in stripped back form with guitarist John Evans, after we picked up the pace and volume with Fast Blood, All Girls Arson Club, Soapbox, Knives, and headliner Native James!

A personal favourite, if I had to choose one, would be Soapbox, who I’ve seen support Snayx in Newcastle before, and they once again delivered on a blinding live set to which I am now undeniably addicted to. Hopefully the band will make their return to the north east soon, on a bigger stage without a doubt, as they are soon off to the Netherlands for sets at its biggest and best music festival; Lowlands, and Left Of The Dial this October.

A new favourite would be alt-rep artist Native James, who blew my expectations out of the water with an explosive set and tracks still ringing in my ears. A bit of hip-hop. grime, punk, metal, and garage, because he couldn’t possibly fit any more genres into his sound, a pleasure to watch and listen to! It was a joy working with such a great team of artists and professionals from across the country, and hopefully we’ll all be back together again for a next iteration of Marrapalooza!

Tim Gambles – Story Told Wrong

PR Results for ‘Story Told Wrong’

Radio

Amazing Radio • Radio Wigwam • RADIOFLAMES • Rock’n’Roll Vibration • She’s Eclectic Show • Spark Sunderland • The Fix on The Bunker Radio • The Sound Lab

Reviews

IndieTapes • M.E.I. News • Music Arena GH • Right Chord Music • TEETH SOUND • Thoughts Words Action • Unrecorded • We Love Lo-fi Music • Zillions Magazine

Playlists

AntiPopPunk PopPunkClub • Apollo’s Rock Galaxies • Artisti Online • BerlinOnAir • BREAKOUT INDIE • Buzzy Band • Dolce Brano • Edgar Allan Poets • Elsa Vibes • Falcodice • FVMusicBlog • Harmony Alternative Rock • HAYAMI’S COLLECTION • Independent Music Weekly • Indie Dock Music Blog • Indie Music Flix • Indie Noise Nation • JYLA MUSIC • KIMU New Music Spotlight • lacavernamx • Lost In The Manor • Melomani • Music For All • Musik Galaxie • MusikePOOL • NewIndieRadar • Odyssey Music • Pigeon Spins Rock • Popfad Music Blog • Principle Music • Project Timbre • Punk Head • Revolutions De Rhythme • Roadie Music • Rock • Rock Muse • Rock Revolutionairies • Screaming Hearts • Senocular Media • Sinusoidal’s Rock Mix • Swiispa • Testing Rock • The Gatekeeper Space • The Musical Road • The Whistling Traveller • Tompo Team • Worldwide Music Directory • Yokai Circle • Ze Rock Porto

Instagram • Facebook • Spotify • YouTube • Apple Music

Reviews on PØRTERS’ ‘Motion Without Direction’

Fast-rising genre-hopping alt-rock outfit PØRTERS released their debut EP ‘Motion Without Direction’. 

Their debut is a bold fusion of alt-rock energy and 4-part harmonies. Out of the North East and straight into your speakers comes Newcastle’s own female-fronted power outfit PØRTERS. ‘Motion Without Direction’ is a searing, genre-blending introduction to a band that’s not afraid to hit hard while harmonising sweetly.

Facebook • Instagram • TikTok • Spotify

Reviews on KATHMANDU’s ‘Charlie’

KATHMANDU has been praised for writing catchy songs with a twist, but then discovered that even some of their friends thought that their songs were too indie to be truly catchy.

With this in mind, they challenged themselves to see if they could write a first-class pop song that indie lovers and more commercial listeners would enjoy. The result is ‘Charlie’, a hazy lazy summer single to bathe in or to dream away to. Mission accomplished.

Facebook • Instagram • TikTok • Soundcloud • Spotify

EP: PØRTERS – Motion Without Direction

PR Results for ‘Motion Without Direction’

Radio

Amazing Radio • BBC Radio 6 Music • Radio Wigwam • Spark Sunderland • The Sound Lab • The Support Act Podcast

Reviews

aKtmusiC • Bread Records • CHARMMusic • Cheers To The Vikings • CLUNK • cupchairs • DARKUS • Indie Music Flix • Last Day Deaf • Música En Palabras
• Original Rock • Purple Melon Music • Rebel Noise • Right Chord Music • SHOWGRAPHERS • Sinusoidal Music • Thoughts Words Action • Unrecorded • York Calling • Zillions Magazine

Playlists

Alien Sounds • AntiPopPunk PopPunkClub • Apollo’s Rock Galaxies • AudioKaradi Press Co • Banger Roulette • Beat Waves • BerlinOnAir • BerlinPlaylists • BREAKOUT INDIE • Buzzy Band • De Ochtendschijn • Dulaxi Entertainment • Edgar Allan Poets • Euphony BlogNet • EXTRAVAROCK • Falcodice • FRESH DINGERS • FVMusicBlog • Guitar Thunder • Hella Fuzz Underground • Hit Harmony Haven • Indie + Rock Retrievers • Indie Dock Music Blog • Indie Kingdom • Indie Noise Nation • JYLA MUSIC • lacavernamx • Loop Solitaire • Lost In The Manor • Melodie Soft Hits • Melomani • Muse Chronicle • Music For All • Music Mingle • MusikePOOL • NewIndieRadar • No Transmission • Pitch Perfect • Princess • Project Timbre • Rádio Brumas • RGM INTRODUCING • Roadie Music • Senocular Media • Songplode • Soundloop Underground • SoundTulip • Testing Melodies • The Best Rock • The Indie Grid • The Musical Road • The Whistling Traveller • TJPL MUSIC NEWS • Universal Groovebox • We Write About Music • You! Me! Dancing! • Ze Rock Porto

Facebook • Instagram • TikTok • Soundcloud • Spotify

KATHMANDU – Charlie

PR Results for ‘Charlie’

Radio

Amazing Radio • The Sound Lab • Vonnie Knows Time

Reviews

Brainstorming Music • CHARMMusic Mag • Free Indie Culture • It’s All Indie • LOCK Mag • Purple Melon Music • Right Chord Music • The Strive • York Calling • Unrecorded • Zillions Magazine

Playlists

Aliens Love Earth • All Pop • AntiPopPunk PopPunkClub • Apollo’s Harp • Banger Roulette • Beat Waves • EDM Station • Euphony BlogNet • FLEX • FRESH DINGERS • FVMusicBlog • HAYMAI • High On Bass • Hit Harmony Haven • Hypehub Magazine • INDEPENDENT MUSIC WEEKLY • Indie + Rock Retrievers • Indie Kingdom • Indie Music Flix • Indie Pop Hits • Introvert Disco Bangers • JYLA MUSIC • KIMU New Music Spotlight • lacavernamx • Latest Release • Loop Solitaire • Lost In The Manor • Melomani • Muse Chronicle • Music For All • Music Mingle • Musik Galaxie • MusikePOOL • No Transmission • Obscure Sound • Os Garotos de Liverpool • Pop Bliss • Pop Paradise • Princess • Revista Soundloop • RGM • RGMS Radio • Roadie Music • Sinusoidal Music • Swiispa • Testing Melodies • The Indie Grid • The Music Asylum • The Musical Road • The Other Side Reviews • The Sonic Soup Kitchen • Tune Oasis • We Write About Music • You! Me! Dancing!

Facebook • Instagram • TikTok • Soundcloud • Spotify

James Kennedy releases music lovers manifesto ‘Loud Medicine’

“EASILY THE GREATEST BOOK EVER WRITTEN ABOUT MUSIC AND BEING IN A BAND” ERIC ALPER, SIRIUS XM

Following the runaway success of his first book, ‘Noise Damage’ which topped the Amazon Best Sellers charts in Heavy Metal Books, Punk Books and Music Books, James Kennedy has just released his follow up book, ‘Loud Medicine’ which was published by UWP Books on the 5th of June.

Kennedy Podcast’ from South Wales says: “Noise Damage was a tough act to follow but I’ve worked really hard on this one and I’m so excited that people can finally read it.”

‘Loud Medicine’ is a collection of musings on all things good, bad and ugly about music and the music industry. The book takes the reader on a joyride through the hidden world of the everyday musician where they share every ill-conceived adventure, battle scar and industry screw-over. They’ll also learn how they can save our grass roots venues, support their favourite artists, protect their mental health, why God is a Jazzer, what you should never say to a musician and what exactly is an Evian Shower.

By the end of the trip, the book will serve as a music lovers manifesto for change and a musicians manual for survival. It’s also a love letter to everyone’s favourite medicine and the people who make it. Whether you’re a musician, a music fan or just out for a good time, ‘Loud Medicine’ will have you laughing, learning and losing your mind in dismay. You may even come away feeling more inspired, informed and mobilised.