Last weekend I attended Manchester-based music conference Un-Convention for the fourth year in a row, and once again the conference did not disappoint. One topic that particularly got my attention was post-Brexit touring, on which there was a very informative panel with a very international selection of panellists. We listened to Gordon Masson, Pavla or Colours of Ostrava, Marie of Octopus, Dave of Musicians’ Union and artist Natalie McCool. Here are some of the notes I took.
There are a few changes to keep in mind when traveling between the UK and the European Union. First and most important, every musician traveling between the two will need a valid passport. Working musicians will from now on also need a Creative Worker visa, also called a working permit. When bringing instruments, you will need ATA carnets for them, which is something you won’t need for portable instruments you can bring on the plane with you. ATA carnets need to be stamped at the airport, since the process might take a while, it’s advised to travel a day ahead of your first gig abroad.
When bringing and selling merchandise, you will need to pay VAT on every sale, if you are a VAT-registered professional, you will be able to reclaim the VAT, if not, my advice would be to leave your merchandise at home.
A certificate of sponsorship can be gotten through promoters or venues that have booked you and your act, and will help you getting a visa. You can find more information on this certificate here.
You can find some more resources and help from Viva La Visa and the Musician’s Union, as well as find more information on funding pots from Help Musicians.
LLIVELY Music 